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Hey everyone here is a remix I made of Danheim tracks called Warriors

Lately, I've been studying the art of psytrance production and had the time to go over many online tutorials. Here I'll mention those who I've checked most excluding those who were that bad that I couldn't even watch 5 minutes. I'll make a short review followed by pros and cons about what I've saw.

Lynda - Ableton Live 10 Essential Training

This one is a general Ableton Live 10 training by Rick Schmunk, which I've watched first just to learn Ableton. It turned out to be a great tutorial and I did all of the exercises and learned a lot!

pros:
+ it's really well thought and consequential
+ you can actually start making psytrance after watching this!
+ very well post processed

cons:
- this one is marked to be for beginners, but it actually requires musical knowledge! I had to check regularly what is the meaning of the musical terms he is telling.
- explains things, which he already explained in previous chapters and while doing so you forgot what he was actually trying to tell in this particular chapter. This is pretty unnecessary in a structured tutorial. 

SlamAcademy - Ultimate Ableton Live 10

This one is so bad that it actually shouldn't have been here, because I usually don't watch such a stupid tutorials. But for this one I really tried hard, because it was my second tutorial after the Rick from Lynda. It is for Ableton in general yet totally unstructured and chaotic. You'll listen to brief information about a lot of instruments and effects, yet I doubt the author himself really understands these...

Collective Intelligence

This is a great channel in youtube offering tons of great tutorials ranging from short tips to complete track production hosted by Mind Mirror from Australia. I am proud I've checked all of his videos and am subscribed to check the newest on time! If you are about to produce something on ableton ranging from 120 to 150 you should definitely start with this channel. I recommend you to watch the Lynda tutorial first to get a grasp of ableton if you have none.

pros:
+ posts regularly new stuff and revisits old one with fresher look and new techniques
+ offers lot of different ways to do one and the same thing like kick bass
+ seems to have natural teaching skills

cons:
- lack post processing in the videos, which I can totally understand since it is too much time consuming to do it if you have a regular job

Sadowick

This is maybe one of the most popular youtube tutorial bloggers offering free instructionals ranging from small tips to complete track creations.

pros:
+ Seems to have the widest experience and knowledge among all with most experiments in all styles of electronic music.

cons:
- his videos are not post processed, which I understand by looking at how much he is posting, yet there are a lot of unnecessary moments in there.
- uses non native effects where native are available

Dash Glitch

Dash is one of the most prominent free tutorial guys and a Serum god.

pros:
+ awesome in depth information not only for the stuff he is interested, but know how on the most popular producers.
+ has post processing!

cons:
- he is doing a lot of things in over-complicated manner

Klaada

This psytrance producer offers free short tutorials to some of the effects he does on his tracks.

pros:
+ on his tutorials you can actually see how he is having fun producing tracks and I like this too.

cons:
- pretty weird and deceiving explanations to the stuff he is doing, so you have to concentrate on his actual actions and avoid trying to understand what he is telling sometimes.

Futurephonic

Those are series of classes aiming to bring out the secrets of the high end psytrance producers.

The Futurephonic - Complete Edition Masterclass - Part One

This one has to be one of the worst tutorials I've seen in my life. I have to be clear that this is not concerning the djs and their producing quality, just the masterclass as a finished product. It reminded me of the time when I was a student and saw all of the great professors with their high level research, yet only few of them could actually teach someone something and got the right platform to do so. So yeah, in this edition psytrance producers are being asked to show different techniques over screen share and as you might suspect nothing works well. Furthermore, this is a payed production which makes things even worse! It is absolutely safe to skip this one and it was so terrible that despite my multiple attempts I simply could finish viewing it.

pros:
+ informing interviews

cons:
- terrible glitchy, echo infused, unsynced, bad video quality screen share recording
- the producers explaining stuff have zero experience in explaining something to someone

The Futurephonic - Complete Edition Masterclass - Part Two

This one consists of techniques shown by Brainiac, Headroom and Sonic Species.

1. Brainiac
Brainiac attempts to explain different elements of a ready made track.

pros:
+ cool interview

cons:
- has pretty bad teaching skills, trying to tell something in so unsuitable ways that even if I know the thing I hardly understand what is he saying
- bad kick2 tutorial essentially telling nothing and dealing with the kick in a minimized view (e.g. having the full envelope, which is essentially 2/3 empty)

2. Headroom
Headroom attempts to explain different elements of a ready made track as well on a screen sharing...

pros:
+ cool interview

cons:
- very brief and short
- video and sound have terrible echo and low quality, which reminded me of the first futurephonic part

3. Sonic Species
This is definitely the edition of the futurephonic masterclass you should watch. It is the pinnacle of the futurephonic classes so far and is made by its creators. Here Sonic Species construct-deconstruct a track from scratch and explain tons of useful information and techniques along the way.

pros:
+ a lot of great techniques with detailed explanation.
+ gives great insight of doing tracks. Sometimes you just redo all of the stuff. Creating a track is not an immediate straightforward process unlike to using templates. It is an art process, which takes time and perfection on all levels.
+ awesome Q and A section right on spot

cons:
- They use cubase with a lot of plugins, some of which they don't actually explain.

Futurephonic - In the Studio with Tristan
Here Tristan shows his unique funky way of producing tracks and his signature techniques of doing so. What definitely got my attention is that he is doing those on a resolution of 1280 x 720 pixels on an old apple laptop!!! I mean it was totally helpful for me as I watched those on my phone and could see the screen grab with no problem, but it is mind melting how he actually does his awesome tracks.

pros:
+ starts from scratch and builds up the track

cons:
- crew is obviously half baked, which is not suitable to show to other friends of mine, despite the great stuff there
- the sound and video are just a little bit out of sync
- bad sound post edit with a lot of noise in between

Production Music Live

Those guys sell professional production assets. If you want to be commercial jackass here is the way to do it. You can definitely see the difference here between composing versus creating.

pros:
+ you can actually learn some professional tricks and techniques, which can bring clarity into your tracks
+ if you can't do anything at all, having a template might be a good start

cons:
- if you do exactly as shown then you are wasting your time and those of the others...


Here below the line are some remarks, which I would like to address, but I don't want to be rude to anybody so they are anonymous:

1. Most of the producers know what the knobs of the effects are doing, yet have zero knowledge about their algorithmic background. For example, by eq-ing signal you I might not get rid all from the low band frequencies and they seem to appear magically! Furthermore, by any form of processing you introduce artifacts in the signal as a side effect to the filter you actually want to apply! While we are at the subject, don't stack same effects if you can avoid it. You are unnecessarily adding more artifacts and also don't let a possibly smart equalizer to optimize your parametrization and filter with less artifacts. So please learn the real nature the discrete filters, or at least those you apply most. Read at least about the concrete filter you are applying with the equalizer and the frequency response it has.


The further notes below this line do not apply to any of the reviewed channels. I bumped by chance at random videos, but didn't followed their channels:

1. For all those modular freaks telling hardware synths produce better quality than PCs please wake up already. It is 2019 and not 1969. Unless your electronics are not as precise as those used in spaceships you will be light years away from achieving 192 kHz quality. In this sense if you create sample packs and have good equipment to record or produce in 192 kHz, do it. For an end track product it doesn't matter, yet for the samples and their processing it makes sense to be at highest possible rate so that the filters precision will be much higher.

2. There is also an overwhelming belief that discrete sounds are not natural and they are fragmented, because of their discrete representation. Yet I can't explain how wrong this idea is after every step starting with the digital to analog conversion to the actual sound transmission. Also the funny idea that digital filters are not unique...

3. There are guys hiding their midi melodies or even rhythms, who think they are unique, because they have synthesized, it while people using samples are not. There was even a guy I saw using the most trivial chant I've heard at soccer stadium on some synth preset, who was arguing the above!

Today is the international Cannabis day and I am glad to publish my first psychedelic track!

 

It was a long journey, which started about an year ago and progressed extremly slowly until somewhere in november, where I tried to impose myself a deadline until the end of 2018, which obviously didn't happen. Also in the beginning of my kick-bass-line crafting I was struck by a hardcore anti marihuana propaganda movie made about 80 years ago called "Reefer Madness". Dating back it was one of the first carefully designed videos to launder the minds of the average American public. After all, Cannabis was considered to be the biggest danger for the private industrialization by providing a natural and easy to obtain ressource in many different industrial branches including medicine, argiculture, architecture and everyday life. It is no where near suitable to be patented as a source, which further cut its chances to avoid prohibition. In turn of events USA banned Cannabis in any form with strictest drug policy available. USA also forced its economic partners to do the same and so was Cannabis banned worldwide and the carefully designed propaganda was extensively used throughout the decades to appal the public from its usefulness. Among all it was lied that Cannabis will kill your braincells, while in fact research showed proofs of neurogenesis. You've been told that Cannabis will lead you to lung cancer, while in fact Cannabis repels not only lung cancer, but huge variety of cancer types. You've been told that Cannabis will seriosly damage all of your physical capabilities, but I'll let Michael Phelps and Usain Bolt disagree. The only use case, which still couldn't be denied by the propaganda is that Cannabis grows much faster than any other useful plant, and can be used to replace single use plastic, to create paper and robust clothing, and even use it in buildings as a material. You've heard that Cannabis is the gateway to harder drugs, yet actually prescription drugs are and Cannabis is a way out. In this way Cannabis messes with many big economic branches. It is a pain in the ass for the pharma and alcohol industry, which now hipocratically at the verge of its legalization tries to obtain the control of its harvesting and distribution. You can also try to make a rough estimate about the millions of lives seriously affected or even lost by the Cannabis ban, in forms of dead penalties and harsh jail sentences, police and criminal violence, extreme social discrepance and public shaming, among others. At the same time no one ever died from consuming Marihuana! So yeah, with this first track of mine I decided to fix the initial propaganda messages to fit in the 21st century.

Now about psytrance music. I was first introduced to trance and psytrance by my brother, computer games and my schoolmates from Asoma, to which I am very grateful. I used to listen to trance music way back in 1995, while playing the slowly moving and not sound demanding Heroes of Might and Magic 1, and with trance becoming increasingly commercial and dull, I've slowly transitioned to Astral Projection, Man with no Name, Infected Mushroom and Hallucinogen, somewhere around 1997. Since then I enjoy its great varieties and try visit many events. I then started cutting psychedelic videos for fun, using mine and other artists work, which you've seen for sure. But back in my head I always wanted to produce music by myself and while psytrance is far not the only genre I enjoy, my extensive signal processing background makes it particularly suitable to jump in.

There it is - my first track called "playground", which is actually the name of the sound project, which I gave to play with sounds in general, way earlier before the track got it's shape the way you can listen to it now. For my artist name I decided to go for Kuker (Kykep in Bulgarian). Shortly said Kuker is shaman that repels evil spirits.

I want to thank all of the producers who sacrifice their time to share free online courses and in particular Andrew a.k.a. Mind Mirror a.k.a. Collective Intelligence for his lessons. Further important psy trance production secrets are regularly taught by Dash Glitch and Sadowick Production who gives tons of electronic music tips in general. Stay tuned for an upcoming video and remaster!

I looks like you are still here so you can enjoy finally my own video to it:

20th February, 2005: on this day the most paradoxical and genius american writer was shot in the head by a hardcore psychedelic hippie. Yes, today 14 Years ago Hunter Thompson returned his own earth ticket with a gun, stating he needs “No More”. His whole life was no less controversial and made him a living bridge between all circles of society – from convicted felons to presidents. A founder of the later called Gonzo journalism, a style that is written without claims of objectivity, often including the reporter as a first person part of the story. One of those stories, his novel Fear and Loathing in Las Vegas, has been filmed by the visionary Terry Gilliam and played by Johnny Depp and Benicio del Toro. The movie is beyond greatness and lets the viewer speechless and unable to recall who does the better role incarnation. It provoked all kind of reactions and inspired generations. So what is it all about Hunter Stockton Thompson and Oscar Zeta Acosta that managed to put a shadow even on their other iconic activities? Make yourself comfortable as Hunter would – pour a fine whiskey with a filtered cigarette in the mouth and dive deep into an old school psychedelic realm!

Credits goes to:
Fear and Loathing (1996)
Psydrop - Fear and Loathing
Open Source - Too Weird To Live
Dirty Diagnostik - Fear and Loathing
PsyseX - L.S.Dance (Captain Hook Remix)
Tas Visuals
Brock Springstead
VJ Catmac & David Molina
Martin Stebbing
and many more, tell me if I forgot to credit you!

"It’s true that the message of ayahuasca, the "Universal Message", is about the sacred, magical, enchanted, infinitely precious nature of life on Earth and the interdependence of material and spiritual realms"

"And I’d like to add that I don’t think any of the psychedelics should be used for recreation. They have a much more serious and important mission with humanity"

Credits
Labirinto Live, Graham Hancock, Hakan Hisim, Blueberry, Avatar, Pablo Amaringo, Tas Visuals, Simon Haiduk